Metropolitan opera schedule 20189/7/2023 ![]() ![]() ![]() ![]() Soprano Diana Damrau’s first Violetta was five years ago, and her mastery of the role was evident this evening. I found the presence of the young woman distracting. Neither of Mr Mayer’s ideas, staging the opera beginning with Violetta’s death, nor seeing Alfredo's sister, is new, and did little to add to the drama. This silent character made additional appearances during Germont’s appeal to Violetta to break from Alfredo for the sake of his family in Act 2, and during the Act 3 prelude, walking through Violetta’s room dressed in a wedding gown. There was a young woman seated behind Alfredo: his sister. She rose to find others frozen in action, only to be drawn out of the room at the end of the prelude to her death. Violetta lay in bed in the middle, surrounded by her lover Alfredo, his father Germont, her maid Annina, and her doctor. As the prelude began, a dark scrim with a large image of a pink camellia gave way to a room with a semi-cylindrical wall with tall windows and gold filigree. Following Mr Mayer’s conception of the production as Violetta’s flashback of the last year of her life just before her death, set designer Christine Jones created a single room where all the action takes place. ![]()
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